Lorenzo Ghiberti was commissioned to complete two sets of bronze doors for the Florence Baptistery, which had first been decorated with bronze doors by Andrea Pisano in the fourteenth century. Compare a panel from Ghiberti’s Gates of Paradise with one from Pisano’s original doors (Figs. 18-3 and 20-16). How does each one represent the developments of Renaissance art and humanism? What changes are seen over the course of these commissions? 

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